I have been playing around with colors and lines on cheap paper. Looks like I'm still gravitating towards stripes, though that was not the intention. I love this paper - I use it for lifting paint, making collage papers, covering my work table (and then save those pieces for collage), and more.
Here are some examples of the stripes:
Do you ever feel that your art is "too busy"? You know you have too much going on, but you are not sure what to do about it? Afraid of wrecking it, or 'losing' some of the parts you like best, you get a bit creatively paralyzed over it.
Join me for Leaning into Subtlety, Friday, February 12, 2021, at 5:00 pm EASTERN time. This is a quick (hour and a half) demonstration hosted by Winslow Art Center via Zoom.
I will demonstrate a few go-to techniques I use that keep me loose and unafraid of painting over. These techniques are about building subtlety as part of the process, but also toning down high drama, or 'editing' to bring your piece into focus.
Here are a few examples:
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| This one includes tone-on-tone collage in the yellow area, plus a little spatter of yellow ochre. 11"x14" on bristol. |
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| Tone-on-tone mark making, collage, and spatter bring a little depth to this piece. 11"x14" on bristol. |
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| Fog, lower right, is the main technique I demonstrate on this piece. 11"x14" on bristol. |
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| This piece has a lot of texture, but I've toned down some if it using a dry brush technique. 11"x14" on bristol. |
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| This is another example of toning down texture. This is the "after", so the texture is considerable more subtle in parts than the "before". 9"x12" on bristol. |
Many people bristle at the term "New Year's Resolution", and yet the new year does seem to offer an opportunity to RE-new, invite something new into your life, reassess and reset priorities. I think of goals more as guiding principles than endpoints that I must reach. The goals are not there to be 'achieved', but to guide, as reference points. They are also fluid - just like the painting process, they are open to revision based on changing environment, new input or ideas, or shifts in my mental landscape.
Read my interview with the Learning to Paint Podcast, "The Brilliance of Bite-Size", about learning and goal setting.
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| Quickie, a quick study, 9"x6" |
In 2021, I would like to incorporate the practice of doing quickies - quick studies on paper. You can read here about the oil and cold wax class I took, in which we did four quick, small, studies each day before diving into the work. I won't do it every day, but I'll try to do a set of quickies a few times a week.
Here is a video of my first approach to quickies. I've given myself just a few tools and a few colors to work with.
To count as quickies, you are not allowed to agonize over them. Think of them as your warm-up exercises, or your sketchbook, not as pieces you'd show to someone else. They are your private playground, for your benefit as an artist.
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| This is a group of 'Quickies', each 9"x6", with plenty of space around the edges to play with in cropping them. Each has the squeegee and palette knife applications, collage, a little spattering, and some have added line work. |
2020 was a tough year by any measure, so let's be easy on ourselves in 2021. I'm going to try to invite opportunities and see what happens, rather than set rigid benchmark goals. How about you? What are your plans for 2021? Comment on this or e-mail me. Happy New Year!
My online course, Mark-Making, begins January 6. Here is some student work from a 2019 class. See details and sign up here.
We get to fling paint, scribble, spatter, drip, and more. Make your own tools, layer patterns over scribbles over spills.... All fun and lots of learning. See details here.
I have been taking an online class with Jerry McLaughlin, in oil and cold wax medium, at the Winslow Art Center in Bainbridge Island, WA. Who cares where the class is; it's online. I try to take one intensive workshop each year, to learn something new, deepen my art practice, and also to remind myself what it is like to be a student. Working with an unfamiliar material, feeling ham handed and out of my depth, helps me understand some of the issues my students face. The class is AWESOME! Jerry is a very experienced and sympathetic teacher, very clear and knowledgeable. The format includes live zoom meetings and an online forum for posting work.
So I thought I'd share with you some of my early attempts to getting a handle on cold wax medium. It is an intriguing material, offering beautiful depth and textural possibilities.
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| Jerry has us do four "quickies" each day on Arches Oil Paper. |
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| 12"x12", this one makes use of carving and pressing texture, wax paper transfer, and more. |
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| Four more Quickies |
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| I used a graphite-dipped waxed linen thread to make the wandering line. |
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| Here I tried coating the thread in solvent-diluted green paint; the technique needs work. |
All of the above are experimental and in process. I am working on 12x12 cheap wood panels from Amazon. They are a bit flimsy, but completely adequate to this use. Jerry McLaughlin and Rebecca Crowell host Cold Wax Academy, which is an amazing resource for anyone using cold wax medium. The site offers free videos and information, and membership entitles you to more interaction with Jerry and Rebecca. If you are interested in cold wax, check it out!
This pandemic found me doing stripes. And more stripes. It is such a simple format, but I am finding unexpected possibilities for expression in it, as well as an opportunity to slow down and go deeper into this exploration. Here as a video about my current work.
And a few of the pieces I've made this year:
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| Me and my Sunshine Stripes 56"x66" |
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| Sonoran Stripes 30"x40" |
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| Long Stitch #2, 10"x20" |
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| Sunshine Stripes, again, 36"x36" |
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| Stitched Together #something, 20"x20" |
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| Common Thread #something, 20"x20" |
I am offering some of my larger works on paper, 19"x24", for sale, at a reduced price. I haven't framed them or shown them in a gallery, and I want them out of my studio to make room for more!
See them here http://www.janedaviesartgallery.com/shop/original.html on my gallery website. $270 includes shipping. You can order custom mats and frames at FrankenFrames if you don't have a local frame shop.
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| This is what "Re Surface #3" would look like with mat and frame. |
Pieces are shipped flat and unframed. See them here.
I am offering my Mark Making Online Workshop beginning January 6, 2021. This is an online workshop consisting of video and downloadable pdf lessons. No live streaming, so you can do the assignments and post your work at your convenience throughout the six week class. We use a Wordpress blog for posting and commenting on work, and I offer personal feedback on every post.
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| Learn to express with line, pattern, masses of color and splatters! |
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| How many ways can you make a line? |
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| This is a "wall collage" I made about a year ago - I used pushpins to tack various markings to the studio wall in an ephemeral composition. |
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| Discover the potential of drips and splatters... |
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| ... Use collage elements as your marks. |
We will also make our own brushes and marking tools. Best if you have a space where you can work on the floor and fling a bit of paint. Basement, garage, or outdoors. Or make yourself a cardboard fence to keep paint off the furniture.
Here are more Before and After images of pieces that came in my Great Canadian Border Crossing. I had artists in Canada send me a "start", which I added to and sent back. With the US-Canada border closed I have missed my trips to various parts of Canada this year.
Each of these pieces is approximately 5"x7".
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| Barbara |
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| Bev |
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| Denise |
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| Gloria |
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| Holly |
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| Ingrid |
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| Jean |
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| Jeanne - Jeanne did the collage, I added the line. |
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| Joy |
I did a Zoom workshop on Professional Practices for the Artist, which did not involve any art-making, just lecture, discussion, writing, Q&A. Easy squeezy. Then, though Port Townsend School of the Arts, I taught a workshop called Time to Paint. Three days of Zoom interaction: demonstration, painting/drawing/collaging, and then looking at work, offering feedback, Q&A, etc. Here are a few pix:
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| Me with a demo piece |
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| Everyone, almost, holding up their art |
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| Mary Anne's dog with Mary Anne |
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| My dog, Pearl, had to get into the shot. |
We're all finding new ways of doing what we do. Zoom is a great tool for learning, but I'm still trying to find a combination of platforms that will facilitate teaching and learning in better ways.
