Friday, December 22, 2017

Collage Papers

As you may know, I recently released a book of collage papers that you can cut and use in your own work.  Here is a little video of me making two collages, inspired by Rex Ray, using my papers.
Find the book here.

I hope the book will inspire you to make your own collage papers as well. Mix them with found papers like book pages, discarded maps, and ephemera for a truly eclectic collection. Use to wrap small gifts, decorate gift tags, and other paper crafts.  Happy Solstice Season!

Find Collage Papers HERE.

I was going to crop these to squares, as you saw in the video, but in the end they looked better as rectangles.  Using a viewfinder, though, can be really helpful in deciding on a final composition.

Thursday, December 7, 2017

White Paint

I tested six different brands of white paint to see how they compared in opacity.

My favorite brand is Blick Matte Acrylic, but it is not available in Canada. I did find that the Holbein, Sennelier, and Pebeo were pretty comparable. I will test the Liquitex a little further to see how it performs in my regular painting practice.

Saturday, December 2, 2017

Making Marks

I usually need a break after my busy teaching season, which ended this year with a workshop in Pensacola, FL the first week of November. Then there is Thanksgiving, for which I take time out to see family and cook.  Getting back into the studio for any kind of regular painting practice always takes some time and effort. It's a shift from teaching-traveling mode to more inward-looking, solitary, exploratory mode. The key is to align my expectations with the reality that this is a transition. As enthusiastic as I am to get into my studio after a long season of teaching, it's never easy.

I've been laying pretty low this week with a bad cold, and just poking my head into the studio to push paint around for an hour or two each day.  Works In Progress are great for this: I can just do one or two things to a few pieces with no pressure to finish them, but just to move them along somewhere.

Yesterday I did a little Mark-Making exercise: on a stack of cut-offs from my paper cutter, which are all about 5"x8", I used limited tools to make lines and patterns, paying attention to creating variety and leaving some breathing room.  Here are some of the results:

You can see from these that there is some overlap in the kinds of marks I made. For example the arch or half-circle shape appears in four of them, with variations in a couple of the others. The awkward scribble makes an appearance in a few of them. There is a pattern of irregular dots and dashes in some of them... And yet each one is unique. Each one has something - a color or a mark - that it does not share with others.

I think this kind of working-in-a-group, WITHOUT trying to make anything specific, often reveals some of our default marks, suggests new combinations, and generally greases the wheels for visual exploration. To me it is important that these "studies" have no pressure on them to BE anything other than the result of a process. If they went directly into the wood stove now, it would be fine; their purpose has been served. I've made them, and I've looked at them.