When I posted about my show at Gallery 47, some of you asked if I could do a demonstration on how to mount works-on-paper, like my collages, on wood panel, like these pieces below:
So now that my Dick Blick order has arrived, including a bunch of birch wood cradled panels, I did a little video to show you how simple this mounting technique is. It is a lot cheaper than framing, too, and gives your piece the kind of heft and object-quality of a piece on panel or canvas. So here is that video:
And here is the panel weighted by a stack of heavy books:
You can, of course, work directly on the birch panels, but I like working on paper and then selectively mounting pieces as there is a demand for showing them. They are easier to store on paper, and I feel more free to play and make a mess. I hope you find this useful!
Great video Jane. Love it and definitely will try it. Thanks for sharing your ideas.
ReplyDeleteThanks so much for sharing :).
ReplyDeleteStay inspired!
Very useful information. Thank you!
ReplyDeleteThanks for that video...always fun to see how each artist does it : )
ReplyDeletethank you so much for that!
ReplyDeleteThis is really great...thanks so much! I like your generous spirit.
ReplyDeleteThat is a great tutorial...thank you. Your collage are all so beautiful = )
ReplyDeleteThanks for the idea. I love the look of the wooden panels, but I always feel intimidated that I'm going to "mess it up" so this is a perfect solution.
ReplyDeletethanks for that Jane, loved it, and for am going to give it a ry
ReplyDeleteThank you so much, Jane!
ReplyDeleteWonderful video. Do you then apply a sealant?
ReplyDeleteThanks for sharing this, would love to know why you use PVA glue. I have a collage I was going to mount on a panel but didn't have the right size so haven't gotten to it yet. My tendency would be to reach for gel medium -- do you think PVA is better? I know a lot of artists like it for book binding but I have never tried it.
ReplyDeleteThanks much for the video. (Enjoyed that chicken, too!). I received one of your books for Christmas and can't wait to explore it. Love your work!
ReplyDeleteNot only is your art beautiful I enjoyed hearing the chickens clucking in the background and the dog shaking it's tags. FUN way to start the morning with lots of inspiration. Cheers.
ReplyDeleteNice tutorial. I find it easy to do. Nice job there too.
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Great idea to conserve space! I like the idea of doing the artwork and put it on the cradle later. Thank you for sharing.
ReplyDeleteYou are so generous with your techniques and such an inspiration! Thank you.
ReplyDeleteHave you done any larger pieces with this method. I have a client who want a really long skinny piece and thought paper on birch would work- and then I could create the size I need. But I worried about the paper coming up if it is a large piece.
ReplyDeleteI think if you weight it properly, and apply it with care, size should not be an issue. But, no, I haven't so far done larger works this way. I was thinking of vertical pieces too: fasten together three 10"x10" panels for a 10"x30" piece, or something like that. I don't know if the panels come ready-made in extreme vertical proportions.
DeleteThanks so much for sharing this. I was wondering if I wanted to paint the sides, should I do that before I adhere the paper, or after I adhere it and before I trim the edges?
ReplyDelete~Susan
I have mounted paintings to the edge but when I trimmed the painting I didn't like the white edge of the paper up against the black paint on the sides, so I had to paint the edge/core of the paper. Tedious. Now I trim the painting by an inch or half inch all around, paint the edges of the paper, and then mount it, giving the painting a border. I paint the and a portion of the top before I mount the painting. I like Jane's idea of leaving the edges unpainted!
DeleteThanks so much for sharing this. I was wondering if I wanted to paint the sides, should I do that before I adhere the paper, or after I adhere it and before I trim the edges?
ReplyDelete~Susan
I love this strategy..it is liberating..do you do anything to the sides?
ReplyDeleteJane, I love this idea. What kind of paper are you using to paint these on before you glue them to the wooden panels? I tried to find your video on cruciform painting series that you did. Could you please give me the link for this - I thought they would help my composition greatly.
ReplyDeleteThanks again for all you valuable videos and techniques.
Marie
Hi Jane-- Do you seal the painting itself after it is mounted? Normally I would frame this and the glass would protect the art that's on paper. What do you do in this case? Thanks, Diane ( I was in your recent Omega class).
ReplyDeleteThank you for the insightful video jane. I like how sometimes you leave the panel unpainted or not depending on the piece.
ReplyDeleteVery helpful and straightforward. Thanks, Jane!
ReplyDeleteI know this is a silly question but is the painting down on the table or is it facing the books on top of it? Another question I thought I had seen another video of yours recommending mat medium. PVA the way to go by blick? I'm at that stage right now as I have a show coming up. Thanks Jane for a response and ALL your help
ReplyDeleteThis is a fabulous way to mount paintings! It's not expensive, it's easy, and it looks stunning. Thank you for sharing this idea. I'm going to try it.
ReplyDeleteThanks.......! I really need a visual - so I appreciate this video very much. See you this summer at MISA!
ReplyDeleteLove your Blog and the way you explained is great about makeover and wood panel.
ReplyDeleteSo thrilled I found your blog and I love this technique so much. I was curious if you have ever done this same technique to adhere paper to canvas? Or if it’s done differently, then what products and technique do you recommend? Thank you
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