Showing posts with label pattern. Show all posts
Showing posts with label pattern. Show all posts

Wednesday, March 23, 2022

Composition and Contrast in San Miguel de Allende

Last week I taught a workshop in San Miguel de Allende, Mexico, and had a really awesome group of participants. Here are a few images of student work (consider it all in-process at various stages).

The first exercise was about using pairs of complementary colors.

One student's work....

Looks just like this view down an alley.




Another exercise was about using different scales of pattern, and different degrees of contrast.





Here are a few more pix of the venue and San Miguel:


Bougainvellea EVERYWHERE
OUTDOOR work space, shaded by tarps and umbrellas

Lots of vistas like this from my walks. I love the rooftop gardens.




We did not all keep our supplies organized.



Friday, August 6, 2021

The Repeated Mark

 Those of you who have taken my workshops know that the lens through which I look at composition, composing, is contrast. Color, value, scale, quality of line or edge.... I look at contrasts, differences more than I look for repetition, "echoing", or sameness. But a crucial aspect of contrast is degree.

Contrast does not always mean 'high contrast' as in black and white or red and green (value, color). It doesn't have to mean tiny and huge, or soft and hard (edges, e.g.). I look at degrees of contrast - subtle contrasts and dramatic ones, and everything in between. How subtle can I make this contrast in value (for example) and have it read as different rather than the same. Or how little dramatic contrast can I inject to make a big difference in a piece? 

I have been looking at all-over patterns or designs that read as very compelling images, to me. Often, too much repetition creates a weak and blah piece. Nothing speaks out because everything is speaking at the same time. So what is it about these images that I find so powerful, even though they have this all-over repeating characteristic?

Here are a few images from a Pinterest board I call (tongue in cheek) "Wallpaper". Please see the board for attribution of these images and many more examples.







Check out Japingka Aboriginal Art Gallery for so so so many inspiring examples of contemporary Aboriginal art, much of which makes use of a repeated mark - dots, brushstrokes, stripes. Take a look at the gorgeous (to me) work of Carbiene McDonald at Outstation, which represents contemporary Indigenous art and works directly with Aboriginal owned art centers.

Here is one of Carbiene McDonald's pieces:

 

Look at Emily Kame Kngwarreye's work here. These are a couple of pieces of hers. Dots and stripes! What could be simpler? But what is it that makes them so compelling?


Aboriginal art is my new inspiration, but it makes me look at art that is based on a repeated mark in a new light. The repetition, done by hand, makes you see the subtle contrasts, the subtle shifts of color or scale or angle or nuance. This is some of what I've been exploring in my stripe pieces. Thanks for visiting!

Note: be aware of cultural appropriation. The repeated mark is used EVERYWHERE, and is not confined to the art of Indigenous Peoples. However, if you are inspired by the work of a culture, read this. In general, when inspired by a culture, a movement, or an individual artist, steal, don't copy. That is, do enough work to make it your own. Make lots and lots and lots of pieces until the work is your own. Be honest with yourself.

Wednesday, January 4, 2017

Patterns

Here is a really short video of making patterns.  I like to overlap patterns, use patterns of different scale, density, different colors, and varying amounts of contrast with the ground.

This is just an example of contrasting scale. The stripes on the left are painted, the ones on the right are collaged. 

In this painting, 12"x12", I used the contrast of scale and varying contrast of value to create the focal area.

This is the study I am demonstrating in the video.  It is 9"x12".

This is student work from a workshop.  We were creating small collages using contrasting patterns.

Student work from an online  class.  I love the very loose use of pattern here.

In this pattern study, 10"x10", I'm using various scales of pattern, and varying degrees of contrast.

I use the pattern of red/orange dashes, and the spatter of turquoise to bring this piece together.  It is 9"x9".

This is one of a series in which I played with pattern overlapping, and different scales of pattern.  I believe this is 10"x10".

Just a sampling of easy-to-make patterns

"Pattern Play", 8"x8", features a variety of patterns interacting and overlapping.
Patterns are easy and fun.  Using them, however, requires careful observation and restraint.  A little goes a long way. Try it out  Play with pattern and see where it takes you!

Monday, September 21, 2015

New Wonky Grids

I was teaching at Dillman's Bay Resort last week, and I have a LOAD of pictures of fabulous student work. I'll post a slide show of them later this week.  Meanwhile, let me show off a few pieces that I got to do.  And I'll post a few pieces of student work just as a teaser.  This was a fabulous group in an idyllic setting.  Can't get better than northern Wisconsin in the fall.

The Setting

Paddling on lunch break

Huh?
The following are all 8"x8"
Something About Being On A Lake, 8"x8"
A Little Extra "Wonk"

Pink Lifesavers

Turquoise Lifesavers

Scribbles in the Fog

The Assignment, Straight Up:  Contrasting Scale of Pattern


And for a few gems of the student work:






Stay tuned... there's more.