This was made by pressing texture plates into the paint before printing; masking with sequin waste, and using my spritz-blot technique.
I had the idea of using string and thread as masking tools, and here is what I came up with:
This one is the "ghost prints" of another string paper:
On these next two I used "Plan B", described on GelliArts' blog.
In my Mono Print Collage class, which I'm offering at Studio Place Arts in Barre, VT on April 20, we will focus on making richly printed papers, and then use those papers in collage. I am, however, also figuring out ways of making prints, and I have a couple of early attempts to share with you.