Playing with Value

In today's Drawing Practice exercise we are going to see how we can get a range of values (light to dark) in a few different materials. Leave color out of it for now, and just see if you can create very light areas, very dark ones, and a range in between.

For now we are just experimenting with different materials; next week (yes, I know I said I would do six Drawing Practice posts, but I'm doing one more) we will use these values to make drawings.

Choose a drawing implement, such as pencil, and start scribbling. Make as many kinds of marks as you can by varying the speed, the pressure, and so forth. Then try to create a range of values from dark to light.

In this one I used pencil, cross-hatching to varying degrees creates the value range.


Same thing in black fine tip felt pen. Here I tried to create different qualities of value by making some areas with more or less straight lines intersecting, and others with loopy scribbles.

I found the black crayon (crayola) the least interesting of my materials. I was surprised, though, that I could actually get a very dark black.


In this final one I used charcoal as well as white pastel. I used a kneaded eraser to smudge and make lines through the charcoal areas. Charcoal and pastel are so dusty, I really don't enjoy working with them. But they do offer such cool possibilities.

Hope you enjoy playing with values this week. We'll see what we can do with them next week. Thanks for visiting!

More Blind Scribble

Thanks for all your comments of my blind scribble drawing practice that I posted on Friday. I thought I'd share a few painting-collage-drawings that I did based on this practice. I began each in this series with a newspaper collage background, just to add some text and texture.

In this one, I followed the newspaper collage with a blind scribble in black oil pastel, then another one in a terracotta oil pastel. I painted with acrylics, being guided by the structure imposed by the collage and the scribbles. I stamped the Q's, and then went over the scribbles to give them more visual weight.


In this one I painted acrylics over the newspaper collage, and then did the blind scribble with a water-soluble graphite pencil. Next came the white crayon scribble, not blind, and watercolor in sepia and pthalo blue. I emphasized the pencil scribble with black oil pastel, then added the red in acrylic. I love that red!


Here is a page in my sketchbook in which I did two half-blind drawings of crows in water-soluble graphite pencil. By "half-blind" I mean I was looking at a picture of a crow, not at my paper, and then towards the end of the drawing I did look at my paper so that I could make a closed shape. Sort of like cheating just at the end. But this process does result in really interesting shapes!


To use these crows in a collage-painting, I first traced them both onto white Art Tissue paper (not wrapping tissue, which has a shiny side) in fine point Micron pen. Then I cut them out, roughly, and applied them to this collage-painting, PEN SIDE DOWN, using acrylic matte medium. This is an adaptation of a technique I learned from Jane LaFazio. The tissue paper practically disappears so that you are left with the drawing layered onto the collage.


Trying to incorporate drawing into my collage-paintings is an ongoing process, and doing these series of studies in my sketchbook or on small sheets of paper is immensely helpful. Thanks for visiting!

PS: I decided to change my picture in my Profile. This one is more realistic, and more recent.